Power Edge & Altissimo
Power and projection are derived from the small step baffle design. Brightness, edge and cut are enhanced by the Palladium-plated virgin bell brass which gives the SUPER JET a crisp clean brightness that can get very funky and dirty and due to the beak design the piece really vibrates. Like all JodyJazz mouthpieces the SUPER JET features a handcrafted baffle, thin tip rail and side rails for that instantaneous response for which JodyJazz mouthpieces are famous.
Special Notes on the SUPER JET Tenor Saxophone Mouthpiece
Due to the shorter facing curve on the SUPER JET a softer reed than you might normally use could be appropriate. This is because the reed actually has less length in which to vibrate. This doesnôt hinder playing at all, in fact it makes the SUPER JET one of the greatest Altissimo pieces of all times. Altissimo still works great with a little softer reed.
These are my observations and how I like to play the SUPER JET Tenor. For example on a JodyJazz DV Tenor 7* I play a DôAddario Select Jazz 3M, and on the SUPER JET Tenor I prefer a 3S or 2H. The SUPER JET is very free blowing but I think the SUPER JETôs shorter facing curve makes a difference with the reed.
The main message is that anytime you are trying a new mouthpiece two things are very important: finding the right reed for the mouthpiece and making sure that while you try the mouthpiece you are in tune. Donôt assume that it will go on the neck in the same place as your previous mouthpiece. I love the SUPER JET and I hope you will too.

